I’m lucky in many things, and especially in Christmas. It is great in lots of way as far as I am concerned: days of hanging with my family who I never see enough of, endless food, booze, family games of Scrabble and Snatch (BETTER THAN SCRABBLE. LOOK IT UP), a hockey match between 6 families on Boxing Day that I pretend to hate but actually love. One of the absolute best things about Christmas is the fact that everyone else has stopped working too. Now that I am in love with a corporate lawyer I know that this isn’t necessarily true for all professions (sigh), but publishing is great for it. There’s a lovely proper pause between Christmas and New Year, and you can hibernate somewhere and read all the books you meant to read over the year.
Anne Tyler’s A Spool of Blue Thread is one of the ones you probably meant to read this year, whether you worked in publishing or not. If you haven’t meant to read it, may I politely suggest that you really ought to, and pick up her whole backlist whilst you’re at it. She is a wonderful writer, brilliant (in Spool, particularly) on cracks running down and down through generations. But not significant tragic cracks, necessarily — just the small fissures of every day life that make every family slightly bumpy and entirely their own. It is beautifully observed, cleverly written and the perfect novel for curling up by the fireside. If you don’t fall in love with one of the Whitshanks (the family in the book) then I shall worry a bit for your heart. There’s three generations to choose from, and the novel unspools (arf arf) back, revealing the truth behind the stories passed down through the family. I’m not normally a fan of unlinear narrative, but I am a big fan of this, because it makes you think about your own family, see your own long-gone relatives as people who had relationships, made mistakes, did all the stuff you do too.
Plus it is now in paperback, so available from all good bookshops at an eminently reasonable price. Like you need a better reason, but here is one anyway. It was shortlisted for both the Baileys and the Booker this year, which is kind of a big deal. Kablam and pow, one might say.